May 05, 2006

Model Idol

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terminal model 2a.jpg

Having been ill for the last 5 days and losing my phone over easter progress has been a little slow although i have managed to produce these two models. Right the idea is simple cause i'm not too sure if anyone actually ever looks at this blog, i thought i'd get people to vote on which model they prefer, basically like pop idol but with models! I just want to see if anyone actually looks at this, so if you do vote now 1 or 2, or if you think they are both crap vote 3 and i'll try a build another one based on the comments!

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terminal model 1a.jpg

get well soon Rooney

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Just some more development from the previous entries, only problem is i always get sucked in by the object so it's time to leave this alone for now and concentrate on some of the earlier stuff and applying to my actual building!

April 28, 2006

Metal folding

Industrial origami.jpg

I found this website while I was doing research for my professional studies and thought it quite cool. Its a US based company which have developed their own way to laser cut and fold sheet materials to a high degree of accuracy using what they call laser cut smiles to produce components. The stuff they are producing is a little boring but idea still seems quite good.

Industrial Origami

April 24, 2006

Liverpool to win the cup!!!!

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2-1 road to Cardiff

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April 21, 2006

Site Model

For the last 3 days Sibyl and I have been trying to sort out and hopefully get two site models laser cut out of steel for assembly at Uni. The idea is each model is made up of sections which cut through the site, sounds easy but its not, the more you get into it the more problem that crop up, like the logistics of assembling such large sections of steel in terms of weight and the structure to support such a heavy model.

Random LinesSite model cecil.jpg

You would not believe how hard it is to draw random lines! Having tried to draw our own random lines, using various methods like closing our eyes and scribbling on paper and a weak attempt at writing a script for it which only produced one line we remember the Cecil Balmond lecture that we went to earlier in the year where for the Serpentine gallery they using a 3-2 rotation algorithm to produce an ordered choas. i know this is a bit of a rip off but time was getting on.

Site model random lines.jpg

Once we had the cecil template we offset the centre and extended the lines to larger box then overlaid it onto each of the resective sites. The idea was also to make the actually site a more dense construction of sections so the template was scaled down by 50% and overlaid again.

Site model wireframe.jpg Site model axo.jpg


Wire frame of the sections!

Site model renders.jpg

These were just some rough rendering of the Victoria deep water model with no legs, it's still very sketchy but these were only produced to help the manufacturers understand what we wanted to do so we could get a more accurate quote.

Site model template.jpg

Finished DXF that was sent with the images of the model to manufacturers to get a quote. I have already heard back from one who said she'd get back to me by tuesday with the final quote. The trouble is because this is all new to us, obviously we don't really have a clue about price so the model might have to be simplfied or scaled down to fit into budget and the cabilities of the laser cutters. But we'll keep you informed of the quotes.

Cruise ship in London

The cruise ship that some of us went to go see, even made the trade press in Travel weekly!!

April 19, 2006

inFORMing, transFORMing, perFORMing


Chosen water structure, which is the Marine Support Unit in Wapping which is part of the the River Police section at the Met. Pretty funny looking building but there is a really nice pub just down the road and some steps next to it going down to the foreshore, not a good idea after a couple of pints!

April 13, 2006

Just some investigations

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Sorry i would explain but i have to go get my train home! I know good excuse, but basically i've just taken a section of sketch Model 14 and started to mess around with some stuff from the Tragsystem book, folded plate structural systems. I know it's very basic at the moment but fingers crossed it might lead to something much more complex and interesting, just have to get my head around the basics first.

April 12, 2006

Technical


Pretty cool book although reminds me of my engineering degree! You can buy it from RIBA bookshop and it does have some helpful stuff in it, quite pricey though.

Floor Plan

Floor Plans Rev E.jpg
New floor plan, i think this is like the sixth revision!

Frequency of cruise ships

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I know this looks dull but it was just to clarify how often the cruise terminal is in use, pure data (this should have been done ages ago). The charts on the right shows, when in 2006 there is a cruise ship docked in London, basically for 2006 there is only a ship docked in London for 8% of the year!!. If London meets it's predicted fiqures by 2009 that will be up to 34% but it still means that the building will only be used for a third of the year!! Also looking at Yokohama terminal and although it recieved 145 cruise ships in 2005 only 12 of these were international, meaning that roughly 92% of its traffic is domestic which London doesn't have! I know very boring.

Liverpool 1 - 0 Bolton

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More sketch models, just starting of with the basic extruded form then using the organisation of the programme of the building to start to articulate the roof, then as my floor plaes are quite large the idea was to break this up using a number of separate strips which when folded or articulated would allow ventilation and natural light to penetrate deeper into the space. blah blah blah

Failed experiment

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Failed experiment, i was basically trying to appropreiate the geometry from the abstract form generated from the diagram into my revised building using the sectional approach.

Camera constructs conference


All in all it was pretty good. Although Patrick Keiller was a big disappointment, almost like he'd completely forgot he was meant to be presenting, nice guy though. Highlight for me though was Angus Leadley Brown (above), cool images and at least he was trying to experiment with the medium by means of synchroballistic photography to achieve new effects. Also my house appeared in one of his photos so i instantly liked the guy.

http://www.serratedimage.com/
wired

March 07, 2006

Camaera constructs


Last year when i was doing my time lapse photography i was chatting to a guy in a pub in Hackney, about photography and he suggested i look at this quy Michael Wesely. Given the fact this is the type of pub where you are likely to get knee capped for ordering a shandy this pearl of wisdom was quite surprising. With the camera constructs workshop coming up i thought i'd post a couple of links to some websites to do with photography. Michael Wesely was born in Germany and if Roman Vishniac is the grandfather of time lapse photography then Michael Wesely has to be it's grandson, taking it to some new extremes. This is an extract from Wired:

Michael Wesely's photographs don't capture the moment - they capture years. To document the renovation of the Museum of Modern Art in Manhattan, Wesely placed eight custom-made, weather-proofed cameras at the construction site for 34 months. This particular picture - from the extended exposure of a 5 x 7-inch glass plate negative - looks southeast along West 54th Street. The sun's movement left wide stripes in the sky, while the workers and the cranes are nowhere to be seen, too transient to have been recorded. What we do see are what Wesely calls the "leftovers of the construction process," anything that was visible for about 100 days.

Wesely, 40, who says his father "baptized him with photo chemicals," first experimented with long-exposure photography as a way to reveal subjects more truly than he could in the click of a shutter. As his exposures crept from seconds to minutes, hours to days, months to years, he shifted from people to massive construction projects. Makes you wish he'd been around when they built the pyramids.

- Jessie Scanlon

enjoy
SpaceandCulture

March 06, 2006

Help

One of the problems I having at the moment after reading the Sanford Kwinter text "Who's afraid of formalism" is trying to generate a building form not just in terms of the building as an object but going inside the object to internal rules of formation as well, which can generate different spaces, organisation of spaces, materiality, etc. My first attempt at a building was generated from my diagram by an abstract elaborate process, which in the end created a form in the most basic sense of the word, void of anything other than looking similar to a space ship! Doing exactly what Kwinter talks about as poor formalism, maybe this is why I disliked it. Don't get me wrong there are lessons to be learned from the critical analysis of this abstract from but it's like an object without a purpose. I suppose what I’m trying to say is I either seem to look at one or the other separately, the form of the object (form of expression) or the form of the theme (form of the content). I'm having real trouble trying to create a building holistically, generating the formation of it in all senses of the word together. At least with folding it wasn't just internal or external, the formation of a building was generated through a series of moves, it could created a geometry, organise space, act as the structure and start to express materiality, so maybe that’s the answer. I've looked at projects by other architects but sometimes it's hard to trace their moves in the design process to achieve just this because some of these things are intuitive to them. Does anyone have any ideas, or am I the only one whose struggling with this?

Some crap renders

Diagrammatic programme.jpg
Just looking at the final model in terms of the individual elements and the programme. I'm trying to self teach myself 3Dmax at the moment, does anyone have a dodgy copy of 3Dmax7 and VRay for me to copy cause i only have Max6?

More diagrammatic models

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More models, just moving on from the massing diagrams from earlier to try and figure out how each of the individual elements overlaps and loops back on each other. They are not meant to represent a building but how each element given head clearances and specific heights in relation to the site and the building its self can loop around each other.

March 02, 2006

Lovely picture of cruise ship

VoyageroftheSeas.jpg
A bit different than the pride of Bilbao, not too sure whether the hard partying pensioners would appreciate the ice rink and lack of duty free shops but this thing has a football pitch on the top deck!

Placement on site

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Carrying on from with the site specifics stated earlier, i sketched out about 40 plans in most cases using the placement on the site of the 3 elements, terminal function, citizen amenities and the lido to investigate how thier placement created different spaces in relation to the site. These were just some of the roughly worked up ones.

Ground

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One of the main issues I had with my original proposal for the cruise terminal was the relation it had to the ground among other things, as you can see from the original interior view above. Not helped by the fact the building looked like a space ship, it looked like it had landed from outer space. So I went back to the site to clarify some basic things I want to achieve in relating the terminal to the site and vice versa. These are some of the points.
-Revitilise the rivers edge by linking it back to the city fabric through the Millennium Dome and the North Greenwich tube and bus station.
-Given the current closed situation of the site, open both sides of the site up and create a visual and physical link from the city fabric to the rivers edge by means of open space.
-Use the terminal to mediate the link between the city and the river by using the groundscape to penetrate through the terminal and above it so it does not become a physical or visual obstruction to the river.
-Raise the existing Thames path above ground level onto the terminal roof to form part of the garden plaza, as part of the existing path may need to be used as the apron.
-Have the garden plaza accessible without entering the terminal thereby adding something to the urban fabric.
-Push the terminal out to the low tide water mark, so cruise ship can dock directly with the terminal, given the ship a low tide water depth of 5.6m.
-Leave the Blackwall tunnel entrance and exit, taking into careful consideration their impact on the site.
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February 27, 2006

Liverpool 1-0 Man city

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Okay last term i was pretty slack at keeping up to date with my portfolio which meant that i had to spend a couple of weeks before mid-terms formating it, so the plan is this term to do everything to portfolio standard first time! I know wishful thinking but it's worth a try.

February 25, 2006

Its all about Sports

New Olympics masterplan.jpg

Latest Olympic master plan, i still don't really know how my cruise terminal is going to fit into the whole scheme especially as they are going to be holding the Basketball and Gymnastics at the dome adjacent to my site. Although I’m still keen to some how introduce some sort of leisure maybe a lido into my building to deal with the programmatic temporality.

Laser cutting

Get yourself a friend at The Bartlett and get laser cutting for free! This is my flatmates model, i have no idea what it is about or whats going on but he did get alot of the elements laser cut in the workshop at the Bartlett for free. Now UEL finally has a working plotter we could push them for our own laser cutter!!

February 24, 2006

Site revisited

I decided to go back first principles in regard to the site and re-evaluate the scheme in terms of its urban context, the programmatic usage, future developments and what I want to achieve in relation to important fixed points, adjacent sites and of course the river and how the interface between ship and land can work.

More models


This time i was looking at how the spaces of the 2/3 elements are orgainised, so these aren't a building form, but how the separate elements relate to each other.

Pencils again


Not everything i do is on the computer. More floor plan sketchs

Sketch Models


I found out with a bit of gentle persuasion you can feed the cheap grey card from Atlantis through my printer so I started to play with some sketch models. I created a very basic digital 3D model from the plans then ran it through Pepakura to get a flat packed development of the building. Anyway the models looked pretty crap so I’ve only shown a couple but one of the interesting things is how using dxf and 3ds files produces different outcomes, which when folded looked half complete. As mentioned earlier I’ve been looking at temporality, the last two models were an experiment and an interpretation on Reiser + Umemotos's idea of the incomplete, using the structure to express this temporality visually, blah blah blah

Worked up plan



Worked up floor plans from the earlier development. At the moment the building is made up of two overlapping elements, which although are connected visually, appear physically separate. This came about from going back to one of my earlier diagrams (above), the matrix of relations. The two elements at the moment are the main terminal functions and the citizen amenities, although given the temporality of the main terminal space the idea is to introduce a third element which utilises this space beyond that stated in the brief.

January 27, 2006

Floor plan development

January 24, 2006

Tutorial

28 - Ground Floor Plan.jpg 28 - Ground Floor Plan after.jpg

Before and After

Temporality

Temporality - (Oxford english Dictionary)

noun (pl. temporalities) the state of existing within or having some relationship with time.


One of the interesting things about a cruise terminal is although it has a very specific brief and programme to deal with the function of the building, the actual space unlike an airport terminal is only used intermittently. Given the scale and cost of such a building one of the issues such a project should have to deal with is how can such a temporal space be re-appropreated for some other function or what are the implications of this temporality of the building. Particularly for a cruise passenger terminal, a facility that undergoes radical changes in the intensity of flow due to the seasonality of activities, this mobility is a crucial aspect in the design of the terminal.

Given London’s history of large temporal structures such as the millennium Dome, which sits adjacent to the site, it is an interesting comparison to make. The Millennium Dome which ended up costing £750 million only functioned as its design purpose for 1 year now it is all fenced off waiting for a master plan to be realised so it can once again be utilised. Although a proposed cruise terminal would create a different condition to that of the millennium Dome, in the sense that the building function would have to be re-appropriated short term between cruise ship arrivals and departures, instead of long term. It does raise similar questions like how can you create a space which can function both as something very specific like a cruise terminal and be used as something else. Is the answer to create a large shed like structure which can then be filled as it needs?

The project below is the competition entry by Reiser + Umemoto for the Yokohama terminal which express the idea of temporality through the structure of the building, they refer to this as the 'incomplete'. In their own description of the project Reiser and Umemoto refer to the differing senses of the incomplete. What can be taken as incomplete is present in both the concept governing the project and in the way the envisaged structure would work to enact it. In regard to the Structure their position is to propose a tradition shed building. What guides the tradition is the creation of uniformity. The structure would have to sustain and maintain a spatial dimension that admitted only one determination.

temp.jpg

Back to the diagram

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Models

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December 22, 2005

Digital to Physical


Another model. Unfortunately the rhino script wouldn't work on the building form due to the way the surface was created, although, i did try to get it to work in different ways but never successfully generated the same form i wanted so i did it all the old fashioned way, manually!
Spot the missing piece!

Surface Model


The process from digital to physical. Basically i wanted to physically model the roof surface so i could examine it more carefully. This model was made up of roughly 300 pieces and was a bit of an experiment to see how carefully i could model the surface. It's been about a week since i did this and my thumb still hurts!!! Maybe i splash out on proper laser cutting next time but first i need a good building!


4 x A1 Competition Boards

Comp Bards.jpg

First attempt at the competition boards. Pretty poor, but at least i have something to work with now. There are so many things missing from this project and boards which i know i have to work on. Back to the drawing board/computer/cutting board!

November 22, 2005

Images

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I know these are pretty bad, but it's a start. At least now the forms produced can begin to be examine in terms of a building. Although, the forms aren't completely abstract, as discussed earlier I have altered the diagram depending on the site and certain design intentions and given each of the programmatic elements a hierarchy. These images are a number of different iterations informed by some earlier investigations.

Tube diagram again

Diagram Site1.jpg

From my earlier studies of just looking at creating surfaces from my diagrams i soon realised that because they had no scale of any real reference to the site or brief other than the programme i would struggle to create a building from them. So i went back to my diagrams and the site. I deformed the diagram depending on certain parametersset out by the site, brief and personal design considerations.

Latest laser cut model


They are getting better

November 21, 2005

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Liverpool 3-0 Portsmouth
Good result although Pompey aren't the hardest team to beat at the moment, still no Crouch goal although i can feel it's coming and it's going to be an important one, against Chelsea in Champions League!!

AA Workshop

These are some images from the workshop

The Belgians come to London


Annaleen giving a tutorial

Opening a bottle of Prosecco

Anna and Venessa's Birthday

Some Investigations

These were just some investigations into how i could start to translate my diagram into a building, they are quite abstract but the were just to start looking at surfaces and form, although having no sort of reference to the site has meant that these forms are just that at the moment. I'm going back to the site to sort it out!

November 20, 2005

My first Hand Lasered model


Okay so i didn't actually get this model laser cut, but i went through pretty much the same process, with this very cool Rhino script which pretty much does everything bar the cutting for you!!!

One week at the AA and back to reality




As some of you might already be aware by Sib's posts, i spent the week at the AA doing a week long workshop about CAM (laser cutting, CNC milling and Rapid Prototyping). The workshop was investigating how these technologies can be employed in architecture beyond using them as a purely representatonal tool. These sheets are documenting an attempt by myself at laser cutting and the process from digital design to the physical world.

Another Diagram


This diagram starts to look at the overlapping of the programmatic elements defined in the brief. Although each space has specific functions, this diagram is meant to show the overlapping of functions and how the boundary between different spaces through the functions can become blurred.

Connections Matrix


This is a diagram which is meant to categorise the different types of connections in terms of the strength, activitiy and type (political, physical, etc). It was intended to clarify the programme and how it all fits together.

November 12, 2005

Creating a Diagram

This is the process of creating one diagram, which is intended to show how different users flow through the building. Diagramming seems to be, like everything in architecture a continual process with one diagram developing into another and evolving into something else. The more you work with a drawing the more layers in begins to have, although it's a slow process this seems to be the only way I can get any graphical clarity!

Some Investigations



These were some initial investigations i did into the tidal pattern and existing maritime usage of the Thames. Given that the river Thames is a tidal river with a shiff in height of 7m at times, i was looking into how i could use the change in water level to change peoples perspective of the building and create a dynamic building which reflects the river. I also looked into the different existing maritime uses of the Thames just to get an idea of how the land connects to the river a the moment.

The Site


The basic brief for the project is to design an international cruise terminal for London, sounds easy doesn't it, but the problems I’ve had just trying to get to grips with the brief and the organisation of space has made me realise that even when you are given the programme and the building description just trying to work out how spaces should connect can be a complex problem. Anyway, that’s for later and the diagrams. This is an aerial photo of the site, Victoria Deep Water that sits next to the Millennium Dome and is currently used by Hanson Aggregates.

The Start of the Year

Ok, so the start of the year has personally been a bit slow for me. For some reason things have been a bit of a struggle, I’m not too sure whether this is a lack of confidence, over complicating things or just too much alcohol but with 2 months already gone and a silent jury soon it's time to, as Robert would say "do some fucking work, man!!"
So hopefully by posting some of my work and thoughts it will help me clarify what I want to do and achieve.

October 31, 2005

Test

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Continue reading "Test" »

    Diploma-Unit-9.net is the blog for Diploma Unit 9 at the University of East London School of Architecture and Visual Arts. The blog will act as a collaborative tool and media transmission platform documenting the units ongoing projects, writings, references, readings and anything that we think is Cool!
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